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Lacy and narrates his own story in a calm and mostly self-effacing manner. The most frequent voice in “Inventing David Geffen” is that of Mr. Geffen, “He loved music like an innocent person loves music.”)
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He achieves a wonderful combination of insight and condescension when he says of Mr. Browne yield to platitudinous talking heads like Arianna Huffington and Rahm Emanuel. Geffen in the ’70s) give way to Aerosmith videos and prestige-movie montages incisive commentators like Mr. Mitchell’s brilliant three-minute portrait of Mr. Black-and-white band photos and “Free Man in Paris” (Ms. Geffen moves on to more impersonal roles as a film and Broadway producer and a founder of DreamWorks SKG. The film flattens out in the second hour, when Mr. This is particularly true in the first hour, which covers his time as the young godfather of the California singer-songwriter scene: a bearded, jeans-wearing businessman who was “not an artist in a recognizable way,” as the designer Gary Burden puts it, but was so enamored of, and sympathetic to, performers like Joni Mitchell, Jackson Browne and the Eagles that he became both deal maker and family member.
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Geffen’s life have been so richly populated that the film is full of interesting and entertaining anecdotes and commentary. Less flattering examples of hubris, like his long battle against public beach access next to his house in Malibu, or his taste for gargantuan yachts, are not mentioned.Īs airbrushed as the portrait in “Inventing David Geffen” might be, the scenes of Mr. They’re framed as positive qualities, though some people shake their heads as they say it, and some of his more famous antagonists, like the agent Michael Ovitz, don’t appear.
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Lacy’s two-hour film acknowledges the well-documented ruthlessness and volatility - accompanied by shrewdness, drive and, for the lucky, intense loyalty - that fueled Mr. Why pick a fight with Hollywood’s biggest Rolodex? So the primary lesson of “Inventing David Geffen,” making its debut on Tuesday on PBS, may be that it still pays to be on the good side of the film’s subject, even as he enjoys his retirement on the former Jack Warner estate in Beverly Hills (price in 1990: $47.5 million).
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Auletta goes on to say, “He’s living by a code, and his code of conduct is honorable.” Tom Hanks chimes in with, “He’s as accomplished and he’s as visionary as any of the great media moguls of all time.” Cher testifies, “He was the most loving - I don’t care what you think about him - boyfriend in the world.” I mean, he uses his power.”īut for the most part, the 50 interview subjects that the film’s director, Susan Lacy, tracked down over a four-year period are a friendly bunch. The media reporter Ken Auletta says: “There’s a reason to be afraid of David Geffen. Young’s manager (who also happens to be an old friend and former business partner of Mr. Geffen’s infamous 1983 lawsuit against Neil Young is detailed, for instance, and called “unconscionable” by Mr. I guarantee you would have a new generation discover Carson and fall in love with him the same way previous generations did.It wouldn’t be fair to call the “American Masters” documentary “Inventing David Geffen” a whitewash. I still say if NBC put on Carson reruns every night over Leno, I think it would get higher ratings then all other late night shows. His last appearance was reading the Top 10 on Letterman in 1994: He just came out got a standing ovation, didn't read the top 10 and left into the sunset.
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He also knew how to interview guests, as he was able to balance his humor, yet let the guest still have the stage so he didn't overshadow them.Īnother thing I admired about Carson is he went out on top and never stayed too long. What made him great is that he understood humor and what was funny, and if a joke bombed, he actually made it more funny by owning up to it and kind of looking at the audience shaking his head. I just caught the last 10 years of Carson when I was a kid in the 1980's and I used to love staying up late to watch him once school ended every summer.
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I caught the last hour and was really interesting.